Here are a few songs from recent endeavors, as well as some early recordings.  Nothing here is really emerged in professional quality (especially the old stuff!) but it is still fun to listen to.

Archipelago (Islands Part 1)  (5.28)

This song had a drawn out conception.  The main riff came while Danielle and I were banding birds off the coast of Nova Scotia.  I didn't do too much with it at the time, but that winter when we were in Minnesota, I got lots of time to record in the evenings.  Once I started, it came together quite quickly and I had a working copy.  But it wasn't until the winter of 2009 that I revisited it and tweaked the recording a bit.  For the most part, I'm happy with it now.

Least Resistance  (7:25)

The guitar part for this song originated during my time at Long Point Bird Observatory.  I had decided that I was going to try playing in an alternate tuning, and went about changing strings until I found something that seemed to be promising:  EAEG#C#E.  Later, while in Guelph, I mapped it out (with much difficulty due many changes in timing!) and added bass.   In an effort to fill it out, I also added a low volume percussion track.  There are some really good riffs in the song, and I really like the bass parts, but all in all, it seems a bit hollow to me, and there probably remains much work to be done.

The Medley (Triumph over Adversity)  (9:47)

This was a medley of riffs that Tim Piggott came up with, to which I jammed along until I played something that sounded good, which usually took a while.  But I got lucky with this song.  The first time I heard Tim play the last part, I was blown away, and just played along side, not really thinking much of what we were doing.  When I listened to our recording that evening (for once we were thinking!) I couldn't believe it.  I set to learning my improvised bit until I could play it exactly as I played it that one day.  The mood of the piece blew us away, and we couldn't think of any title more fitting than, "Triumph Over Adversity."

As far as a final sound goes, this song is probably the best we got in our few studio sessions (and it's not really that great!).  Keil had come down that weekend and recorded a djembe track that helped fill out the background where our two guitars were lacking.  But once again, we didn't get a copy with Adam!  And we never did end up naming any of the other parts...


Journey of the Istari  Part I  (7:01)
Journey of the Istari Part II  (9:37)
Journey of the Istari Part III  (7:48)
Journey of the Istari Part IV  (5:59)

This is the electric epic we recorded late 2003.  The entire band had parts written and this recording occurred in the garage of drummer Keil Simmons.  The energy he contributed to the sound is unmistakable.  The quality of the sound, however, leaves much to be desired. Keil only had a couple mics for his drums (sadly capturing only his snare and bass), Adam had only 50w of amp power for his bass, and Tim and I both had our guitars plugged into one 100w amp.  The result is a very muffled song.  This really was a song that had no end (we joked about calling it the "Never Ending Ending").  Riffs kept coming and changing and they just got tacked on.  We never did figure out how to end it... it just faded away when our timing faltered for the last time!


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